Monday, January 19, 2026

Orphans: A Short Story by William Hammett

[The following was originally published in the Rose & Thorn Journal in 2007 and is based on my personal experience in the aftermath of Hurricane Katrina in 2005.]  

The indifferent gray clouds had rolled away twelve hours earlier, leaving a blinding, blue, unreachable sky in their place.  I paddled slowly through the toxic soup, dipping the splintered oar soundlessly so as not to create even the smallest splash if possible.  Oil, gasoline, and a thousand chemicals normally kept under kitchen sinks created rainbow slicks on the floodwaters, horrible impressionist paintings lumped together on a canvas a hundred miles wide.  Katrina was gone now, but she had marched through Louisiana like a scorned woman, kicking in doors and uprooting trees with her high-pitched, demonic howls.

The steep pitch of roofs was evident everywhere, the homes they covered submerged in the smooth, new lake.  V-shaped gables jutted above the water like small black army tents.  Most were uninhabited, but a few arms waved lethargically from broken attic windows.  Occasionally, a man or woman could be seen sitting on the apex of a roof, balanced precariously as the sun beat mercilessly on the gritty tar and fiberglass shingles.

I kept my small wooden fishing boat, able to hold two more people, away from any signs of human life.  There were hundreds of stranded individuals, some clinging tenaciously to weeping willow branches, attempting to stay a few feet above the waters of Lake Pontchartrain, waters that had filled the gaudy, drunk, forsaken Crescent City as soon as the weathered, decaying levees had been breached.  But who would be saved and who would die from weakness, starvation, or dehydration?  I’d already seen a small pleasure boat attacked by a desperate family that had jumped from a third-story window of a suburban apartment building.  The six family members had ruthlessly thrown the three occupants of the boat overboard, swamping the craft in the process.  Flailing arms created wavelets as curses broke a silence palpable as the death that hung over the inundated city.

I drew my conclusion early on: salvation would be an arbitrary matter, and only God, assuming he still watched over the urban hell before me, would be able to judge whether my actions were righteous or cruel.  It was that simple.

My boat bumped into a corpse as I backed away from a row of homes where a dozen people, having chopped through roofs with axes to escape their windowless attics, urgently waved shirts to attract my attention.  The old black woman in the water had been dead at least thirty-six hours judging from the bloated condition of the corpse.  Her belly had already split open, her eyes rolled back in their sockets, lifeless white orbs staring at the sky.  I pushed the body away and twisted the paddle between the palms of my hands, as if starting a campfire, in order to shake the maggots from the broadest part of the wood.

I was moving into Chalmette—the ninth ward—where Katrina had slammed houses and businesses until they stood at a forty-five degree angle, like a stadium crowd leaning to see if the fullback has made it over the goal line.  Some structures were crushed altogether—billboards, fences, street signs, and tool sheds.  Ahead, the roots of an oak stuck out like a claw, the two-hundred-year-old tree having been plucked from the sod and dropped on its side like a feeble giant.

I paddled around it, and that’s when I saw the head of the waif: a red-haired girl, no more than seven.  Her dirty face protruded from the top of a chimney.  She said nothing, only stared as my skiff quietly glided up to the bricks that constituted her temporary home.

“Climb in,” I said. 

She stared at me blankly, saying nothing.

“Are you alone?” 

She remained silent, which was just as good.  I instinctively knew the answer to my question.  Answers were everywhere, written in rubble and debris and nine feet of water.  Of course she was alone.

“Get in the boat,” I instructed as I stood, my arms extended.  “You’ll be safe.”

The orphan didn’t move, so I gently lifted her from the chimney and placed her on the narrow rectangular seat behind mine.  She clutched a stuffed, waterlogged animal that could have been a teddy bear, a monkey, or a dragon.  It, too, had died.

“We’re going someplace safe,” I told her.

One hundred yards farther on, I saw an old black man sitting cross-legged on a wooden palette that had obviously drifted through the doors of a warehouse.  He played a cheap Stella guitar, and his gravelly voice sang of a woman who had left him for a rich man in New York City.

“Need a ride?” I asked, not intending to be glib.  He was free to join the girl or float along and play the blues, for which he was more than qualified.

“I suspect I might,” he said.  “Not much of an audience left.”

“No,” I said.  “Not much.”

He handed me his guitar and carefully climbed into the boat, sitting next to the girl. 

Overhead, a Coast Guard helicopter sped northward, its plump orange and white body plainly visible in the midday sun.  I knew it was headed for a rescue station up ahead, though its distance might be two miles or a hundred.

I paddled faster, passing more than a dozen people pleading for me to stop and offer them transportation.  A dog barked as he swam toward the boat.  The black man pulled him over the edge, where he shook his wet fir, sending a spray of foul water over my adopted crew.  He wouldn’t threaten our survival.  A metal urn flew over my head and landed in the water ten feet to starboard, commentary from someone I was forced to pass up.

Three hours later, the gray water grew shallow as I saw a hundred men and women planted on high ground, little fence posts forming an irregular line of survival.  The black man continued to sing his down-and-out blues as we approached a section of levee that had somehow withstood the twenty-foot tidal surge.  A woman in an orange life vest—unmistakably Coast Guard—helped the girl and the old man from the boat.  The dog jumped out and ran down the levee, disappearing in the odd assortment of survivors, their faces as blank and unfeeling as the girl’s.

Gently, I backed the skiff away from the levee.

“Don’t do it, mister!” the woman in the orange vest warned me.  “It’s not safe out there!”

No, it wasn’t safe, but life hadn’t had anything to do with safety since the cyclonic white clouds had swirled across the Gulf of Mexico two days earlier.  In less than a minute, I was twenty-five yards from the levee.  The woman turned away, uninterested in the actions of a fool like me.

Strains from the black man’s cheap guitar floated over the water while the little girl raised her hand and waved goodbye, her arm as limp as the appendages of her stuffed animal.

It was morning of the first day, and God had breathed over the abyss.  Dry land had yet to completely take form, and salvation was years in the future.  A new testament between the Creator and his people could not be imagined as I once again threaded my way through cypress trees and people waiting to be born.

~William Hammett

Copyright William Hammett 2007, 2026


Index of Articles


Monday, December 22, 2025

William Hammett Profile and BIO

William Hammett is a professional ghostwriter and editor with more than twenty-five years of full-time experience working across fiction and nonfiction. His work includes memoir, literary and genre fiction, and complex nonfiction, often involving sensitive material, high-stakes subject matter, or long-form projects requiring discretion and structural rigor.

He has collaborated with published authors, novelists, public figures, and professionals across a wide range of fields, and much of his work involves expanding or sustaining established writing projects and narrative fiction franchises. His practice emphasizes ethical collaboration, confidentiality (NDA plus contractual), and narrative intelligence rather than formulaic production.

He is adept at utilizing a client’s narrative voice or desired style, adapting the correct tone and rhythm to match the needs of a given project. He is a literary ghostwriter with multiple advanced university degrees and received academic training in editing, textual analysis, and literary criticism. With intimate knowledge of publishing and the literary marketplace, Hammett offers verified testimonials from past clients and has an extensive online collection of fiction and nonfiction writing samples (forty-two) on his website.

In addition to ghostwriting and editorial work, Hammett publishes fiction under his own name. His novel John Lennon and the Mercy Street Café (2007) has been taught in university courses on magical realism, and his short fiction and poetry have appeared in over two hundred respected literary journals. Recent titles include Street Magic, The Ghost of Richard Brautigan, Rimsky Rises (YA), and Circling Goes the Wind (middle reader). All are available commercially on Amazon.

He forwards work in installments and conducts a final revision of all projects. He is skilled in working with source materials and partial manuscripts as well as with AI-generated rough drafts.  Fee structure is unique in that clients pay for professional time used rather than flat fees. In fiction, his preferred genres are science fiction, fantasy, horror, thriller, detective, mystery, romance, literary, and juvenile.

Queries from literary agents, editors, and serious collaborators are welcome. Hammett works selectively and values projects where craft, credibility, and long-form thinking matter more than speed or volume. Further information about scope and subject areas is available on his website.


Index of Articles


Friday, November 21, 2025

Ray Bradbury's ZEN IN THE ART OF WRITING

Zen in the Art of Writing by Ray Bradbury is the best book on writing I have ever read.


The advice Bradbury gives? Sit down and start typing. If you don't have an idea, just tap the keys at random. Sooner or later, you will form words, sentences, and paragraphs.


Get in the flow, the zone. Eventually, you will have written a short story or a novel. It's simple, but it works.


Writer's block doesn't have to happen. Engage the gears in your brain, and good things will happen.


All the time. Really.








Monday, August 25, 2025

Cousin Dashiell Hammett

Samuel Dashiell Hammett (1894-1961) was a writer of hardboiled mysteries and produced works such as The Maltese Falcon, The Thin Man, The Dain Curse, The Glass Key, The Continental Op, and Red Harvest.

 

Dash, as he was known by his lover and friend Lillian Hellman, influenced writers such as Raymond Chandler and Erle Stanley Gardner, creator of the Perry Mason series. The modern detective genre wouldn’t exist without Dashiell Hammett.

 

He had a short, clipped prose style that would influence the spare sentence structure of Ernest Hemingway.

 

After digging through archives, I discovered he was my second cousin. And that’s pretty cool.


Index of Articles





Thursday, July 31, 2025

Lovingkindness: The Most Beautiful Word in the English Language

This is a really short post because the word says it all.

The word is lyrical, beautiful, soothing, and rolls off the tongue.


It’s technical definition? The word naturally connotes a combination of love and kindness, but there is a synergy between the two concepts when they’re joined into “lovingkindness.” It represents a totality of compassion, mercy, kindness, love, forgiveness, and understanding.

 

To me, it’s almost mystical in meaning. Suffice it to say that if the world practiced lovingkindness, we would all be living in paradise by tomorrow.

 

It’s the only mantra anyone ever needs.


~William Hammett


Index of Articles







Tuesday, July 29, 2025

The Buddha's Tour Dates Have Been Canceled

Here's a bit of flash fiction, also called micro-fiction, that is 750 words or less. Or you can call it a short short story.

The Buddha's tour dates were cancelled, and ticket-holders have been refunded their money.  Sometimes the Buddha doesn't have much to say.  Often, he plays life close to the vest, sitting serenely like a potato trying to figure out its tuberous karma.  The Katmandu Gazette reports that he hasn't opened his eyes in several days.

His roadies have dismantled the Bodhi tree and the pagoda.  The tour hasn't been rescheduled, and some say that the cancellation is because the Buddha is consulting a gastroenterologist in Buffalo.  This is only speculation, and sources close to the Buddha have emphatically denied that his chakras are blocked.  Rolling Stone has written that the Buddha recently suffered a nervous breakdown after learning he'd fathered a love child.  The truth remains elusive, which is what you'd expect in such a situation.

Personally, I don't have a dog in the fight.  If truth is subjective, the tour was over a long time ago.  We can stare at kumquats.

~William Hammett

Index of Articles


Tuesday, July 22, 2025

Lucid Dreaming: The Pathway to Creativity

Paul Simon dreamed his latest album, titled Seven Psalms, into existence. It’s a great piece of music.

He had a dream during the pandemic in which a voice told him that his next project would be called Seven Psalms. He got up every night for ten months and wrote down words and music that came to him between 3:30 a.m. and 5 a.m. Simon’s dreams were normal, not lucid, but lucid dreams are even more exciting.

 

Robert Louis Stevenson usually got his ideas from dream incubation. The Strange Case of Dr. Jekyll and Mr. Hyde is the best-known example.

 

Lucid dreaming is the next step in learning from dreams.

 

Lucid dreaming happens when you become aware you’re dreaming, and that’s when the dreamscape becomes as real as waking reality. It’s an altered state that is within everyone’s grasp.

 

If you want to know what you should be writing or harvest characters or ideas from your subconscious, use lucid dreaming. In lucid dreams, you can interact with situations and people and have perfect control over the dream.

 

Try out a plot, ask what the next chapter should be, or allow the dream to show you possibilities you hadn’t thought of.

 

Explore. You are, after all, a writer. It’s what we do.


~William Hammett


Index of Articles





Orphans: A Short Story by William Hammett

[The following was originally published in the Rose & Thorn Journal in 2007 and is based on my personal experience in the aftermath of ...